Every one-hundred years, the demon known as Inkubus (Robert
Englund) is reborn and just before he transfers into his new host this current
incarnation walks into a police station, confessing to murders ranging from the
Middle Ages to the most recent decapitation of a young woman whose head he
still possesses because he has unfinished business with the one police officer
that nearly incarcerated him thirteen years ago.
Like the majority of horror movies, there was a lot
going against Inkubus with it’s low
production values (it’s not pretty to look at) and what most people would
consider terrible acting (like these whiney skanks could do any better), but
despite some arguably profound flaws I still enjoyed the movie. Maybe it’s the
respect I have for Robert Englund (who owns this movie); plus, William Forsythe
(The Devil’s Rejects) also takes top
acting honors for this one. Maybe it was getting a kick out of seeing Jonathan
Silverman (Weekend at Bernie’s) trying
to act like a tough guy, or just trying to take Joey Fatone (N Sync) seriously –
regardless, I enjoyed this movie. It was a familiar concept concocted by the
pair of director Glenn Ciano and writer Carl V. Dupre, but for what money they
had I think they made an adequate accomplishment.
The story isn’t difficult to follow, but there are
some aspects of it that perhaps could have been translated better through the
screen, and without spoiling anything the ending is anticlimactic. The kills
are standard while the aesthetic value of the gore is above par making for some
pleasantly horrendous visuals to be remembered.
Movie snobs will crap all over this movie while
other people simply won’t like it, but like all opinions (including my own),
they’re like assholes; we all clinch out fear of being anally raped – or, we
all have one – something like that.
Despite the flaws that could only be solved by
money, which this movie did not have, and some storytelling foibles, Inkubus helps Robert Englund further
shed the nostalgic cloak of Freddy Kreuger (a character he still loves),
allowing the audience to focus on the man behind the scar tissue and provide
some blood curdling entertainment for some horror lovers.
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